Thursday, March 29, 2012

Film School Online | "The new celluloid heroes"

By: Mark Guarino
Source:http://www.csmonitor.com
Category: Film Schools Online


Amid the fanciful 3-D technology and the story of two children navigating the contrarian world of adults, Martin Scorsese's film "Hugo" pauses midway through and shows audiences why preserving early cinema is a cultural necessity.

The film's real subject, of course, is the French film auteur Georges Méliès, whose body of work – 531 films – largely perished in his lifetime, creating personal agony and professional irrelevance until a retrospective nine years before his death allowed him the wider recognition his work deserved.

His is an allegory familiar to many involved in film preservation today. "Hugo" and the recent Oscar topper "The Artist" both pay homage to the artistic beauty of early cinema, but they arrive at a precarious time for film as a medium. Digital cinema is forcing exhibitors and studios to upgrade celluloid film systems with new technology designed to offer audiences better screen resolution, contrast, and opportunities for 4-D immersion experiences – and to save studios $1 billion in printmaking fees and shipping costs annually.

Source: http://www.csmonitor.com/The-Culture/Movies/2012/0328/The-new-celluloid-heroes

Wednesday, March 28, 2012

Film School Online | "By: Cameron Chai Source:http://www.azom.com Category: Film Schools Online Umeco Process materials has formed a strategic marketing collaboration with Victrex Polymer Solutions in order to market release films. These films are made using APTIV film based on VICTREX PEEK polymer. Umeco will distribute these release films under the brand name, VAC-PAK. APTIV film is suitable for composite processing at high temperature, because of its excellent toughness and strength, inherent release properties, high temperature performance and purity. Currently, APTIV film is a highly performing PEEK film that is now available as a release film. These release films are used in the production of composites, and are kept between a breather fabric and the laminate. They can be possibly used in applications such as aerospace, marine, military and industrial composite processing. The finished laminate is removed easily from the fabric, as these release films function as a slip-sheet. Adam Black, Umeco Process materials’ Global Business Development Manager stated that a variety of fluoropolymers and Tedlar PVF film are included in the traditional release materials. He said that APTIV film is stronger than the normal materials at high temperatures and allows quicker processing and enables manufacture of complex parts. Black stated that these release films are available in widths of 0.018 cm and 0.025 cm, and has up to 315°C of high use temperature that is compatible with aerospace composite requirements. He added that the tensile strength of these films is 125 Mpa and the elongation can be more than 120%. The APTIV release film absorbs low moisture and is resistant to chemicals and does not degrade, when the films are exposed to the severe conditions of the composite manufacturing method. Source: http://www.azom.com/news.aspx?newsID=32462"

By: Cameron Chai
Source:http://www.azom.com
Category: Film Schools Online

Umeco Process materials has formed a strategic marketing collaboration with Victrex Polymer Solutions in order to market release films.

These films are made using APTIV film based on VICTREX PEEK polymer. Umeco will distribute these release films under the brand name, VAC-PAK.

APTIV film is suitable for composite processing at high temperature, because of its excellent toughness and strength, inherent release properties, high temperature performance and purity. Currently, APTIV film is a highly performing PEEK film that is now available as a release film.

These release films are used in the production of composites, and are kept between a breather fabric and the laminate. They can be possibly used in applications such as aerospace, marine, military and industrial composite processing. The finished laminate is removed easily from the fabric, as these release films function as a slip-sheet.

Adam Black, Umeco Process materials’ Global Business Development Manager stated that a variety of fluoropolymers and Tedlar PVF film are included in the traditional release materials. He said that APTIV film is stronger than the normal materials at high temperatures and allows quicker processing and enables manufacture of complex parts.

Black stated that these release films are available in widths of 0.018 cm and 0.025 cm, and has up to 315°C of high use temperature that is compatible with aerospace composite requirements. He added that the tensile strength of these films is 125 Mpa and the elongation can be more than 120%. The APTIV release film absorbs low moisture and is resistant to chemicals and does not degrade, when the films are exposed to the severe conditions of the composite manufacturing method.

Source: http://www.azom.com/news.aspx?newsID=32462

Film School Online | "Trayvon Martin Case Affects Marketing For Fox’s “Neighborhood Watch”

By: Dan Koelsch
Source:http://www.movieviral.com
Category: Film Schools Online


You might not think that the public discourse on the Trayvon Martin shooting would have much impact on Hollywood, but there has been an unexpected result. 20th Century Fox has had to change their marketing for their upcoming sci-fi comedy Neighborhood Watch. Get the details after the jump.

Just over a month ago, black teenager Trayvon was walking home from a convenience store in Florida when white latino George Zimmerman, head of his neighborhood watch, followed and eventually shot him after a struggle. There has been a lot of national discussion pertaining to the details of the events, especially the fact that Zimmerman was not (and still has not) been arrested. Questionable Florida laws, possible racism, and more have been at the forefront of the discussion.

With the concept of neighborhood watch being so closely connected to Zimmerman at the moment, 20th Century Fox has pulled their poster and teaser from Florida theaters. While some may think this may be overkill on face value, it’s important to note that the promotional image for the film is of an altered neighborhood watch sign full of dents from bullet impacts. Also, this kind of change isn’t all that unique, as THR reports.

Source: http://www.movieviral.com/2012/03/28/trayvon-martin-case-effects-marketing-for-foxs-neighborhood-watch/

Film School Online | "Education film being shown in 9 cities Tuesday"

By:LEXINGTON
Source: http://www.wtvq.com
Category: Film Schools Online


LEXINGTON, Ky. (AP) — A film about the impact of four teachers on their students is being shown Tuesday night at several locations around Kentucky.

The screening of "American Teacher" is free and open to the public. The Prichard Committee for Academic Excellence says limited seating is still available by registering at http://www.AmericanTeacherKY.com .

The film is being shown at 6 p.m. local time in Bowling Green, Elizabethtown, Fort Mitchell, Lexington, Louisville, Morehead, Owensboro, Paducah and Prestonsburg. After the 90-minute film, there will be a discussion about possible next steps.

Twelve statewide advocacy organizations are sponsoring the screenings.

Source: http://www.wtvq.com/content/statenews/story/Education-film-being-shown-in-9-cities-Tuesday/Z-2G9gHBp0i38BOTqFxHqw.cspx

Film School Online | "Angelus and Amy Winehouse Foundations Launch Drug Education Film and e-Petition"

By: Angelus Foundation
Source: http://www.sacbee.com
Category: Film Schools Online

The Angelus and Amy Winehouse Foundations today released jointly a new film which highlights the extreme danger club drugs and alcohol can pose to young people.

To view the Multimedia News Release, please click:

http://www.multivu.com/mnr/53792-angelus-foundation

The film, narrated by actor Cherie Lunghi, portrays four highly talented young people: Hester Stewart, Louise Cattell, Freddy McConnel and Amy Winehouse. They all died after contact with drugs or alcohol.

The intention is for the film to shown to young people in schools and clubs to make them realise taking unknown substances can have terrible consequences. Drug use is not just dangerous for addicts; everyone who takes drugs, particularly any of the new club drugs, is taking a huge risk with their health and well-being.

The two foundations have also established an e-petition to force a Parliamentary debate on putting "effective drugs education on the National Curriculum."

The founder of the Angelus Foundation, Maryon Stewart, said: "We all have a stake in this. This film shows we are sleepwalking into a disaster. I know Hester would never have taken a drug like GBL if she had thought there was any risk.

"Britain's young people are largely ignorant of the harms of these drugs but that's not stopping them. If we cannot prevent these unknown drugs being so easily accessible we should at least arm young people with some education. We are demanding drug education be put on the National Curriculum."

Louise's mother, Vicky Unwin, said "Louise had everything to live for; as a recreational user, like many young people today, she had no idea of the risks she was taking. Drug education often concentrates on the known substances like alcohol, heroin, cannabis and cocaine, but rarely encompasses the new lethal legal highs and club drugs.

Also speaking about the new film, Mitch Winehouse said, "Only 60 percent of schools are teaching children about the dangers of drugs and alcohol and this is often for one hour or less in a whole academic year. We are petitioning the Government to make it a compulsory subject, as it is not currently being treated as a priority. If young people are given the opportunity to make informed choices, then we believe that many lives can be saved."

Source: http://www.sacbee.com/2012/03/27/4369091/angelus-and-amy-winehouse-foundations.html

Sunday, March 25, 2012

Film School Online | "'Film School Secrets' Explodes Myths of Filmmaker Education"

By: press release
Source: http://www.marketwatch.com
Category: Film School Online


LOS ANGELES, March 21, 2012 /PRNewswire via COMTEX/ -- "Film School Secrets," the film school alternative, has announced its initiative to help aspiring filmmakers begin their movie careers faster, smarter, and for less money than traditional filmmaking programs.

The website features an 8-part interactive online course detailing street-smart information you won't get in a classroom.

"We provide aspiring filmmakers with a practical and powerful plan of action they can put to use immediately," says Seth Hymes, founder of the site. "We show students how to get on pro film sets, network, and begin producing their own movies no matter where they live in the world. The only pre-requisites are imagination, passion, and dedication."

"I thought the only way into the film business was through a fancy school in Austin, New York, or LA," says Justin Montgomery, 19, of Kingwood, Texas. "But because of 'Film School Secrets' I am actually working in the film business right now."

Justin is now a paid intern at Victory Digital, an award-winning commercial production house in Humble, TX. Justin followed the coaching in Mod 2 of "Film School Secrets" and got in touch with the head of the Victory Digital, Vic DiGiovanni.

"This industry is all about initiative," says DiGiovanni. That initiative paid off for Justin. After a brief conversation, DiGiovanni offered him a position many film school students would envy, without paying any tuition. In fact, he is getting paid to learn.

"He has me working on car commercials, editing, and getting paid for it. I couldn't ask for more," says Montgomery.

Beyond networking, the course focuses on using the low cost of high-quality digital video equipment, social media, and the Internet to produce, direct, market, and distribute movies. With more and more people consuming entertainment online, "Film School Secrets" is ahead of the curve, teaching practical skills that matter to new filmmakers.

"Film schools are still teaching students to make short films, go to a film festival, and hope to get a big break," says Hymes. "That's like trying to win 'American Idol.' They don't talk about how to realistically make a feature film, deal with money or investors, or how to get people to see it. This course is all about making things happen yourself."

The cost of higher education is also part of the site's message.

"Many students are graduating with debt up to $100,000," says Hymes. "Nobody in the film industry cares that you went to film school. They care about your attitude, your work, and what you bring to a project. This isn't the 1960s when Scorsese went to film school and learning how to shoot a movie was some obscure piece of knowledge. There are kids on YouTube making movies that put the black-and-white film school projects to shame, and attracting industry attention."

Film School Secrets has hundreds of students in over 15 countries and across the US since its launch in mid-2011.

Source: http://www.marketwatch.com/story/film-school-secrets-explodes-myths-of-filmmaker-education-2012-03-21

Thursday, March 22, 2012

Film School Online | "'Film School Secrets' Explodes Myths of Filmmaker Education"


By : Film School Secrets
Source : http://www.bradenton.com
Category : Film School Online

LOS ANGELES, MARCH 21, 2012 — /PRNewswire/ -- "Film School Secrets," the film school alternative, has announced its initiative to help aspiring filmmakers begin their movie careers faster, smarter, and for less money than traditional filmmaking programs.

The website features an 8-part interactive online course detailing street-smart information you won't get in a classroom.

"We provide aspiring filmmakers with a practical and powerful plan of action they can put to use immediately," says Seth Hymes, founder of the site. "We show students how to get on pro film sets, network, and begin producing their own movies no matter where they live in the world. The only pre-requisites are imagination, passion, and dedication."

"I thought the only way into the film business was through a fancy school in Austin, New York, or LA," says Justin Montgomery, 19, of Kingwood, Texas. "But because of 'Film School Secrets' I am actually working in the film business right now."

Justin is now a paid intern at Victory Digital, an award-winning commercial production house in Humble, TX. Justin followed the coaching in Mod 2 of "Film School Secrets" and got in touch with the head of the Victory Digital, Vic DiGiovanni.

"This industry is all about initiative," says DiGiovanni. That initiative paid off for Justin. After a brief conversation, DiGiovanni offered him a position many film school students would envy, without paying any tuition. In fact, he is getting paid to learn.

"He has me working on car commercials, editing, and getting paid for it. I couldn't ask for more," says Montgomery.

Beyond networking, the course focuses on using the low cost of high-quality digital video equipment, social media, and the Internet to produce, direct, market, and distribute movies. With more and more people consuming entertainment online, "Film School Secrets" is ahead of the curve, teaching practical skills that matter to new filmmakers.

"Film schools are still teaching students to make short films, go to a film festival, and hope to get a big break," says Hymes. "That's like trying to win 'American Idol.' They don't talk about how to realistically make a feature film, deal with money or investors, or how to get people to see it. This course is all about making things happen yourself."

The cost of higher education is also part of the site's message.

"Many students are graduating with debt up to $100,000," says Hymes. "Nobody in the film industry cares that you went to film school. They care about your attitude, your work, and what you bring to a project. This isn't the 1960s when Scorsese went to film school and learning how to shoot a movie was some obscure piece of knowledge. There are kids on YouTube making movies that put the black-and-white film school projects to shame, and attracting industry attention."

Film School Secrets has hundreds of students in over 15 countries and across the US since its launch in mid-2011.

Source : http://www.bradenton.com/2012/03/21/3952695/film-school-secrets-explodes-myths.html

Wednesday, March 21, 2012

Film School Online | "Tornado-hit Ind. school seeks Lady Antebellum prom"

By: AP
Source: http://abclocal.go.com
Category: Film School Online

Students from an Indiana high school wrecked by tornadoes awaited word Tuesday about whether on online campaign supported by other schools in their state and beyond will land them a prom-night performance by Grammy-winning country trio Lady Antebellum.

Related Content
More: Discuss this story on our Facebook page

Schools from Indiana to northern Wisconsin -- even one in a similarly tornado-ravaged Illinois community -- submitted YouTube videos urging the country trio to choose Henryville, Ind., as the winner of its "Own the Night" contest. The winner to be announced Tuesday gets a 45-minute Lady Antebellum concert at its prom.

"When we learned about Henryville, we decided maybe we weren't the ones who needed Lady Antebellum to come to our prom," said Brandon Dively, 16, a junior at D.C. Everest Senior High School in Weston, Wis., who worked on the student-made video uploaded to YouTube. "Their community was destroyed."

The building housing Henryville High and other classrooms was heavily damaged during a series of tornadoes that killed 13 people across southern Indiana on March 2.

Earlier that same week, storms killed seven people in Harrisburg, Ill., but students there also decided to back Henryville's prom bid.

The first couple minutes of Harrisburg's three-minute video focus on the storm damage in that community, but the final 30 seconds switch to its Indiana counterpart.

"While the students at Harrisburg High School would LOVE to have Lady Antebellum play at their high school prom, they would LOVE to have them play at Henryville, Indiana, even more," a slide in the video reads.

Students at Silver Creek High School in Sellersburg, Ind., meanwhile, looked past a longtime sports rivalry with Henryville and made video that's one of the most-watched YouTube segments in Lady Antebellum's contest, with more than 12,000 views as of Tuesday.

Mary Beth Coffman, Silver Creek's mass media teacher, recruited three of her students to be the video's stars and spent two days in Henryville filming interviews with local residents and getting film footage of the devastation.

She also visited a Louisville, Ky., hospital to interview Stephanie Decker, a Henryville woman who lost parts of both legs protecting her two children as it destroyed the family's home. Decker, whose husband is a math teacher at Silver Creek, urges the band to choose Henryville, saying "I think you could help a lot of people."

The video ends with a student standing in a field before dozens of classmates, saying, "Lady A, even if we don't win the contest, we're still going to own the night anyway" before they begin chanting "HHS! HHS!"

"They're like 10 minutes away and we're big rivals in sports, but we had to put that rivalry behind us," said Tim Dierking, a 17-year-old Silver Creek senior. "I just really hope that Henryville wins. They need to have a good time after what happened."

If Henryville were to win, students would be consulted about how the event should be held, said John Reed, assistant superintendent of West Clark Community Schools.

Henryville students are expected to return to classes in another community on April 2. Reed said the spring prom was to have been held at the high school but officials are looking for an alternate site -- the size of which will be determined by whether Lady Antebellum gives Henryville the nod.

"We're all waiting, holding our breath. We think it would be a fantastic thing for the kids," he said. "But one thing we'll have to figure out is a facility that would be big enough to house everybody because I'm sure everybody will want to go to that thing."

Source:  http://abclocal.go.com/ktrk/story?section=news/national_world&id=8588364

Film School Online | "Online Short Film Competition SeeFlik Awards $50,000"

By: Indiewire
Source: http://www.indiewire.com
Category: Film School Online

Online film competition SeeFlik has awarded $27,500 to David Jibladze for his short film "Beholden."

Second place went to "Cadet," with Ryan Steiner earning $7,500.

Jibladze and Steiner will also meet with SeeFlik partner David Greenblatt to prepare for industry showcases at agencies and studios.

The films' jurors included producer Michael London ("Sideways"), writer-director Shane Black (Kiss Kiss Bang Bang), writer-producer Angelo Pizzo ("Rudy"), Oscar-nominated screenwriter Keir Pearson ("Hotel Rwanda"), screenwriter Robert Kamen ("The Karate Kid"), producer Suzanne de Passe ("Lonesome Dove") and actor Luis Guzman ("How to Make it in America").

Runners up included "The Man Who Never Cried" by Bradley Jackson and Christopher Meyers' "Injuns," which each won $5,000; Winston Tao's "Wash Me" and Bhanu Chundu's "Camp Chapel" each won $2,500.

SeeFlik recently announced a partnership with Comcast to make each of the top 20 finalists available via XFinity On Demand. The complete list of finalists is here.

The SeeFlik competition was initially exclusive to students who are currently attending an accredited film school or who have graduated within five years. The competitions will now expand to all legal U.S. residents.The SeeFlik competition was initially exclusive to students who are currently attending an accredited film school or who have graduated within five years. The competitions will now expand to all legal U.S. residents.

Source: http://www.indiewire.com/article/online-short-film-competition-seeflik-awards-50-000

Tuesday, March 20, 2012

Film School Online | "Student's life changed by visit to Native American reservation"

By: Mackenzi Van Engelenhoven
Source: http://www.usustatesman.com
Category: Film School Online

Nelson Hernandez’s life changed the first time he visited a Native American reservation in Omaha, Neb. After moving to Utah from his hometown of New York City, a friend who worked as a teacher on a reservation encouraged Hernandez to visit. He knew Hernandez was  a basketball enthusiast and that basketball was a large part of reservation life.
    On the reservation, Hernandez said he was shaken by what he saw. He witnessed the poverty that plagued the reservation, as well as the struggles of talented athletes to receive their high school diplomas and move up to play in college.
    “It was one of those moments where you feel like your whole life has been leading to,” he said. “It was an experience that woke something inside of me that I didn’t know existed. I cried, and I said a prayer, and I knew something was going to be different in my life from then on.”
    After his weekend on the reservation, Hernandez returned home to tell his wife he was quitting his job in order to start a program that would help young Native American students achieve their full academic and athletic potentials.
    Hernandez formed a group of college athletes, both Native American and from other backgrounds, and traveled with them to reservations around the country to provide students with a motivational presentation about basketball that was designed to encourage students to finish high school to pursue careers as collegiate athletes.
    “I am a basketball person,” Hernandez said. “I knew my work had to involve basketball. I figured we could be positive examples and give kids the message as to how to stay away from drugs and alcohol.”
    With his group, Hernandez visited more than 100 reservations over the course of six years and talked to thousands of students. He said he’s had many parents call him and thank him for his positive influence in their children’s lives.
    “I don’t think I’m the most important person in the world when it comes to helping Native American kids,” he said. “But I think I made a difference. We helped a lot of kids that feel like they have no hope understand they are not the only ones experiencing tough times. I think we made a difference.”
    During his travels, he said he met the Schimmel family, whose daughter Shoni was an incredibly talented basketball player with the potential to play at the collegiate level.
    By the time Shoni was 14, she  had national recruiters interested in her. At the time, Hernandez said he was tired of constantly traveling to do his motivational speaking but was looking for a way to stay involved in helping Native Americans.
    “I knew people who had made great documentaries,” he said. “And I thought ‘What if we document her life and process as she grows up and becomes a basketball player?’ It was a perfect storm as far as timing and meeting the family.”
    At the time, Hernandez had previous experience in the film industry and said he recruited a team of producers, including Kelly Rippa.
    For two years, Hernandez said, his documentary crew filmed Shoni Schimmel’s life as she became a rising star in the high school basketball circuit and went on to play at University of Louisville as one of the best female basketball players in the country.
    “I wanted to show through the movie that kids can change their lives through basketball,” Hernandez said. “And I wanted to show the reality of modern Native American reservations. Most people have no concept of it. They think they still live in teepees.” 
    The  premiered April 26, 2011, at the Tribeca Film Festival, and also aired on TLC. It has received critical acclaim, and Hernandez said he was proud of the positive reviews. Though the film was what he called a “passion project” that gave him no money, Hernandez said he’s proud of the result.
    “It was a great experience, and to see the film do so well is even better,” he said. “It’s still amazing to me that people want to watch something I made.”
    Currently, Hernandez has put his work with Native American reservations on hold to pursue his academic career. After attending several universities with no success, Hernandez said he found his passion at USU.
    “For a while I lost direction in my life,” he said. “But then I came to USU, and I was completely caught off guard. Here was everything I wanted. Becoming an Aggie was truly the best thing that ever happened to me.”
    Hernandez, who is a senior majoring in interdisciplinary studies, works as the video coordinator for Aggie basketball.
    “Everyone at USU has been so supportive of me,” he said. “I love Logan and feel blessed to be living here. Utah State is everything I want.”

Source: http://www.usustatesman.com/student-s-life-changed-by-visit-to-native-american-reservation-1.2717083#.T2mrmdk2UoQ

Film School Online | "Students forge inter-regional link through film"

By: GurdianMEDIA
Source: http://www.guardian.co.tt
Category: Film School Online

Participation in the Secondary Schools Short Film Festival (SSSFF) will now give young people from T&T an opportunity to share their experiences, interact creatively and build long-standing networks with other youth from throughout the Caribbean region. An invitation from FEMI—the International Cinema Festival of Guadeloupe—to students of the winning schools of last year’s SSSFF to visit Guadeloupe as part of an inaugural film student exchange programme, has started the regional alliance.

This interest demonstrates the leading role that T&T has taken in encouraging young people to get involved in the film industry and bodes well for Caribbean integration through the audio-visual sector, driven by upcoming generations. Visiting FEMI for the first time from Tobago was Kyle Walcott, an 18-year-old Bishop’s High School student, whose school’s film, Reflections, won Bishop Anstey High School the Tobago Award in last year’s SSSFF. He observed that “Young Caribbean people are the same everywhere—we like to lime, go to the beach, work towards our dream” and noted that “interacting with other students interested in producing film has been amazing.”

Walcott took full advantage of the week-long festival, along with fellow-students Nicholas Ramnath of Rio Claro East Secondary, 17, and 15-year-old Ashley Singh of Holy Name Convent, Port-of-Spain. The three met other young film-makers from Guadeloupe and were set the task of producing a documentary about their trip to encourage entries for the 2012 SSSFF and to promote film as a career in T&T. Visual Arts teacher, Dominique Chung, who accompanied the students noted that two high schools in Guadeloupe have Film on their syllabus—a development she would love to see in T&T.
 Registration for the SSSFF ends tomorrow and more information can be found at www.trinidadandtobagofilm.com

Source: http://www.guardian.co.tt/lifestyle/2012-03-19/students-forge-inter-regional-link-through-film

Sunday, March 18, 2012

Film School Online | "Sucking the client dry "

By: Ed Attwood
Source: http://www.arabianbusiness.com
Category: Film School Online


Oliver Stone has a lot to answer for. While ‘Wall Street ’— the film he wrote and directed in 1987 — argues against the short-term fast-buck culture made infamous by that decade’s corporate raiders, it also spawned the character of Gordon Gekko. “Greed, for want of a better word, is good,” said Gekko, in one of the film’s immortal lines. “Greed is right. Greed works. Greed clarifies, cuts through and captures the essence of the revolutionary spirit.”

An entire generation appears to have followed in Gekko’s immaculately crafted brogues. Where once the realm of finance was considered something of a dreary occupation, it is now the sector of choice for the brightest and best graduates, many of whom have taken up positions either at hedge funds or at vast investment banks like JP Morgan and Merrill Lynch. But no one company appears to have personified the Gekko spirit quite as much as Goldman Sachs.

It is astonishing just how influential the investment bank has been. Other than former treasury secretary Hank Paulson, who — you may recall — was kind enough to bail out Goldman with $10bn in state-backed funds, the bank’s alumni include Joshua Bolten, former White House chief of staff, and Mark Carney, the governor of the Canadian central bank. In addition, Mario Draghi — the governor of the European Central Bank — and new Italian prime minister Mario Monti are also former Goldman employees.

While criticism of Goldman practices has largely been left to outside players — with Rolling Stone magazine once infamously describing the bank as “a giant vampire squid wrapped around the face of humanity” — it was pretty refreshing to read last week’s letter from Greg Smith. After twelve years at the company, the Goldman director decided to quit last Wednesday, calling the environment at the bank “as toxic and destructive as I have ever seen it”.

Source: http://www.arabianbusiness.com/sucking-client-dry-450053.html

Film School Online | "UK Trade and Investment chooses Dreamscape to make FILMART documentary Read more at: http://menmedia.co.uk/manchestereveningnews/news/business/media/s/1488632_-uk-trade-and-investment-chooses-dreamscape-to-make-filmart-documentary"

By: menmedia
Source: http://menmedia.co.uk
Category: Film School Online


A MediaCityUK based TV production company has been chosen by UK Trade and Investment to produce a documentary of the upcoming market visit to international film convention, FILMART, in Hong Kong. Dreamscope, along with 33 delegates from 28 companies, were picked to represent the north west as one of the region’s leading creative businesses. The convention will allow the companies to meet some of Asia’s major decision makers in the film and TV distribution market, as well as promote Manchester’s booming creative industry. Darren Hutchinson, managing director, Dreamscope and Cathay Films, said: “We look forward to joining UKTI on their trip to Hong Kong for the exhibition. “The film will allow UKTI to capture the event for the first time and we are really honoured to have been chosen out of many north west companies to make it. “Through our sister company Cathay Films, we have had extensive experience in China supplying Chinese audiences with British programming and we’re delighted to lend our services to help raise the profile of UK businesses within the world film and TV market.” Dreamscope will direct, film and edit the documentary, which will be used as part of UKTI’s continued work to help British companies find opportunities internationally. The convention will take place between March 19 -22.

Source: http://menmedia.co.uk/manchestereveningnews/news/business/media/s/1488632_-uk-trade-and-investment-chooses-dreamscape-to-make-filmart-documentary

Friday, March 16, 2012

Film School Online | "New Line Commissions 'Y: The Last Man' Script from 'Warehouse 13' Writers"

By: Andy Khouri
Source: http://www.comicsalliance.com
Catagory: Film School Online

What a nice bit of timing for Brian K. Vaughan. No sooner than his much anticipated return to monthly comics, Saga, debuts than news breaks that the film version of his most beloved work, Y: The Last Man, is progressing apace. The Hollywood Reporter brings word that Matthew Federman and Stephen Scaia are set to adapt Vaughan and artist Pia Guerra's hit sci-fi series about the last man on Earth for New Line Cinema. Although the Vertigo project has been in development for years, THR reports that the new script is starting from scratch.

Created by Vaughan and Guerra and available from Vertigo in paperback and hardcover collections, Y: The Last Man stars an amateur young escape artist called Yorrick and his pet monkey, Ampersand, last living male mammals on Earth. A mysterious plague caused every other living thing with a Y chromosome to drop dead simultaneously, ending society (not to mention the human race) as we know it. Unable to account for his and Ampersand's survival and terrified of being discovered, Yorrick and his pet leave their home in New York on a quest for Beth, Yorrick's beloved girlfriend who was all the way in Australia when civilization ended. Yorrick's existence is exposed along the way, as is the truth behind the apocalyptic plague.

Source: http://www.comicsalliance.com/2012/03/15/y-the-last-man-movie-script-federman-scaia-vaughan-vertigo/

Film School Online | "A don rewrites the script of his life"

By: Saritha S Balan
Source: http://ibnlive.in.com
Catagory: Film School Online

THIRUVANANTHAPURAM:� ‘Gundukad’ Sabu is rewinding his life through reels. Sabu, who had around 40 cases against him for criminal activities, has decided to rewrite the script of his life.� He has produced a short  and co-penned its script.

Through the short film ‘Veekshanam,’� Sabu tries to pass the message about the value of education and tells the youth to choose only the right path.��� Veekshanam, a 40-minute-long short film, is directed and written by K G Rajeshkumar, a Malayalam movie director.

The thread� of the film goes like this: Mani, an engineering student from an ordinary family, gets� influenced by a Naxalite group and plans a blast to assassinate a political leader. But the plan backfires as the explosion, which takes place in a market place,� kills Mani’s elder brother along with the political leader and many others. This changes his outlook towards life.

Once he returns home, Mani realises that his brother’s struggle to educate him had been harder than he had� imagined. It makes him� think of the futility of the path he had chosen and he starts educating the generation younger to him about the virtues of life.

“The children of the upper class always have better chances to choose a high-profile career while those from the downtrodden families are more prone� to terrorism/criminal activities. But one should realise that such paths would not lead anywhere. In the film we did not put the blame on any particular community but on the paths that we choose,”

Sabu told Express.� Through the short film, he and his friends are taking an optimistic approach about life, a sentiment echoed by Rajeshkumar. Sabu plays the role of Mani’s elder brother in the film.

Sabu, 40,� entered the world of crimes ten years back when his elder brother Gundukad Shaji was killed in a gang rivalry. Hailing from Gundukad colony in the city, Sabu has now a new outlook towards life.� A surprise Sabu has in the short film is Vivek, an old acquaintance of Sabu. Vivek, 23, who did the music for the film, had been attracted by criminal activities once. “But Sabu did not allow me to be a part of the gang. He instead diverted me to studies which enabled me to take a degree in sound engineering,” Vivek said.

Sabu and his friends formed the production house ‘Peanut Media’ two years back and Veekshnam is its first production. The shooting began on February 24� and was completed in six days.

Source: http://ibnlive.in.com/news/a-don-rewrites-the-script-of-his-life/239764-60-116.html

Thursday, March 15, 2012

Film School Online | "Is future in film farming? "

By: Dhanusha Gokulan
Source: http://www.khaleejtimes.com
Category: Film Schools Online

DUBAI — Recognising the risks involved in a future without enough water and soil resources, companies and inventors have engineered what can be called a step towards a revolution in farming.

Soil-less farming or what will come to be known as ‘film farming’ has been made possible with hydrogel technology. The technology reduces up to 90 per cent water consumption and 80 per cent fertiliser use, resulting in a productivity boost of 50 per cent. Tests have also proved that the film can be used in any geographical area and weather conditions.

The hydrogel-based IMEC film and the hydrophilic booster, SkyGel — a super absorbent polymer that acts as a reservoir holding water up to 1,000 times its weight, — can boost plant productivity and yield. The IMEC Film and SkyGel are developed specifically to reduce the use of water, increase plant productivity and crop yield, while producing a best in class nutritious and healthy food that is highly rich in sugars, GABA and Lycopene. The technology will officially be launched in the UAE today by its Dubai-based owners, agricel.  These original tests were carried out in Japan, China, Pakistan, Nigeria, the UAE and the UK.

The film was invented by Prof Dr Yuichi Mori of Waseda University, Japan. He is also the chairman of the Advisory Board of agricel.

The “film farming” system can be installed on any surface — wood, sand or concrete — and across any terrain—from a dry arid desert to existing fertile farms or even in space. Co-founder and CEO of agricel Yalman A Khane said, “The technology allows us to farm in a sustainable manner commercially, in turn producing nutritionally superior and safe food while reducing the use of harmful chemicals in the food supply chain. We can now grow cherry tomatoes in the middle of the desert.”

Currently, film farming is done across 180 farms in Japan. The film can be used in a green-house facility and the SkyGel can be mixed along with the fertiliser and applying it in the soil will cut down water use for the crops.

Another co-founder of agricel Kunal G. Wadhwani said, “Current global issues like water and food scarcity will manifold in the future. Our company’s motto is ‘to feed the future’.  When the technology is applied on 1 acre of farm land, not more than four people are required to operate it right from seeding to harvesting.”

The company is currently signing contracts with several local players to integrate film farming into the UAE’s farm sector. Speciality foods and fruits like cherry tomatoes, lettuce, cucumbers and melons, and spices like paprika thrive on the film.

The technology aims to remedy the problems of extreme food shortages due to finite agricultural land and resources and an exploding population whilst creating demand for jobs around the globe. “We are entrepreneurs. The case is very clear as agricel’s innovative film farming technologies have proven to be more cost effective than alternative farming methods, generating an ROI (return on investment) of between 40% to 70% and an IRR (the initial return rate) north of 58%,” added Wadhwani.

“Have you wondered why cherry tomatoes are so expensive here? A kilo costs about Dh35. It’s because of the costs involved in the logistics like transport. But if you can grow it locally and on the film, half the costs are reduced,” said Khan. Mass production using the technology is currently possible only using the gel. All kinds of crops can be grown on the film, except vegetables grown underground like potatoes, ginger and onions.

Apart from farming, Khan suggested that the film can be used in golf courses which will, in turn, result in lesser water bills. The hydrogel film can be installed at a cost of $2,000 per acre of farm land in the SkyGel form, installation would cost about $2 million. agricel markets, services and sells the film farming and hydrophilic booster technologies developed in Japan. agricel’s products have been commercially successful for over four years, in Japan and China.  More recently, Australia ran a successful transformation from hydroponic farming to the new use of film farming in 2010.


Source: http://www.khaleejtimes.com/DisplayArticle09.asp?xfile=data/theuae/2012/March/theuae_March432.xml&section=theuae

Wednesday, March 14, 2012

Film School Online | "Sonam Kapoor a technology freak"

By: showbiz
Source: http://zeenews.india.com
Category: Film Schools Online

Mumbai: Actress Sonam Kapoor feels that she cannot do away with technology being part of generation next.

The 26-year-old was present at the FICCI frames event here Wednesday to light the lamp at the inaugural session.

"There are lot of benefits of such forums... like one gets to know about trends in the film industry, piracy, content, media, technology and various other things. I think
being part of today`s generation I can`t do away with technology," Sonam told reporters here.

"I am happy and excited. This is the second time I have been asked to speak at this forum, but I could not do it due to some reasons. It (FICCI-Frames) is an auspicious occasion and a great one for the film industry," she said.

The `Aisha` star also spoke about her sister-producer Rhea Kapoor`s upcoming film, `Herogiri`.

"My sister is going to make a film based on a book titled `Herogiri`. We have patented the book and this is for the first time that something of this sort has happened. With this, there would be no discussion or issue about the title, or stealing of content or creative idea," she said.

Source: http://zeenews.india.com/entertainment/celebrity/sonam-kapoor-a-technology-freak_107626.htm

Film School Online | "With Technology, Adding Context to the Costume"

By: GERALDINE FABRIKANT
Source: http://www.nytimes.com
Category: Film Schools Online

WHEN Deborah Nadoolman Landis first began work for the coming show “Hollywood Costumes” at the Victoria and Albert Museum in London, she wanted to provide visitors with iPads that would let them observe an outfit, view a relevant movie clip and watch interviews with those involved with the film.
Enlarge This Image
Selznick Properties, Ltd

Vivien Leigh's curtain dress from “Gone With the Wind.”

She ultimately discarded such an elaborate use of technology, but she still has ambitious plans to take the show beyond a simple display of costumes.

“How do you bring in new audiences?” asked Ms. Landis, the senior guest curator for the exhibition and a Hollywood costume designer. This is an era where “we all want and expect more information,” she said.

Exhibitions of clothing from films are particularly challenging because “movies are kinetic art while museums are static and frozen,” she said. “This exhibit could not be dead frocks on dummies. Costumes are created for movies to provide a narrative and visual context. They cannot stand on their own like the clothes of the great couturiers.”

And so, for “Hollywood Costumes“ (which runs from Oct. 20 to Jan. 27, 2013), Ms. Landis and her team are trying to put costumes in context by highlighting the lines from the screenplay that best illustrate what the outfit is meant to convey. For example, the gallery will show the relevant excerpt from the script of “Gone With the Wind” next to the green dress (now faded) made from curtains that Vivien Leigh wore as Scarlett O’Hara when she tried to borrow money to save Tara, the family plantation. The display will also feature a projection of the actress in the costume.

The Victoria and Albert is not alone in trying to enhance the exhibition of costumes. Museum curators agree that clothing exhibitions are increasingly likely to include a technological component, or at least efforts to create an ambience to amplify the experience of seeing the outfits.

A prime example is the show featuring the work of the late designer Alexander McQueen last year at the Metropolitan Museum of Art’s Costume Institute, which included a hologram of Kate Moss as well as videos from the designer’s runway shows and a video of one of his collections projected onto the ceiling.

“McQueen was a watershed because it was more than a fashion show,” said Valerie Steele, the director and chief curator at the Museum at the Fashion Institute of Technology, who has curated a number of shows there. “People could feel the passion, and it was quite different than most shows. It was a theatrical experience. It captured the magazine experience of his worldview.”

Ms. Steele said she had also been influenced by the show “Malign Muses” at the Mode Museum in Antwerp several years ago. The curator, Judith Clark, used two cog wheels that turned and at the point where they came together would be a dress from the past and its present version. Ms. Steele recalled that the drama of that exhibit affected how she created the evocative background for her 2008 show on Gothic clothing. “It made me realize how important the mise-en-scène was,“ she said. “The setting of the clothes can help tell the story of the meaning of clothes.“

Yet even clothing exhibits in the same museum may strike different notes. Curators who embrace extravagant backdrops will also mount more bare-bones shows if they feel that is what a collection merits.

For example, André Leon Talley, a contributing editor at Vogue magazine, recreated a scene from the play “The Women” by Clare Boothe Luce for each designer’s dress in a show at the André Leon Talley Gallery, part of the new museum at the Savannah College of Art and Design, where he is a trustee. But Mr. Talley is taking a more minimalist approach to the next show, “The Little Black Dress,” which features about 60 dresses.

“In this case the narrative can be achieved in a much more straightforward show,” he said.


Source: http://www.nytimes.com/2012/03/15/arts/artsspecial/adding-technology-to-museum-costume-displays.html#h[WDNWDN]

Film School Online | "Research and Markets: Thin Film Growth: Physics, Materials Science and Applications"

By: Zexian Cao
Source: http://www.sunherald.com
Category: Film Schools Online
DUBLIN -- Research and Markets (http://www.researchandmarkets.com/research/0644d7/thin_film_growth) has announced the addition of new book "Thin Film Growth: Physics, Materials Science and Applications" to their offering.

Thin film technology is used in many applications such as microelectronics, optics, hard and corrosion resistant coatings and micromechanics, and thin films form a uniquely versatile material base for the development of novel technologies within these industries. Thin film growth provides an important and up-to-date review of the theory and deposition techniques used in the formation of thin films.

Part one focuses on the theory of thin film growth, with chapters covering nucleation and growth processes in thin films, phase-field modelling of thin film growth and surface roughness evolution. Part two covers some of the techniques used for thin film growth, including oblique angle deposition, reactive magnetron sputtering and epitaxial growth of graphene films on single crystal metal surfaces. This section also includes chapters on the properties of thin films, covering topics such as substrate plasticity and buckling of thin films, polarity control, nanostructure growth dynamics and network behaviour in thin films.

Source: http://www.sunherald.com/2012/03/14/3817835/research-and-markets-thin-film.html

Film School Online | "John Carter on 'John Carter'"


By:  Ken Herman
Source: http://www.statesman.com
Category: Film School Online

Perhaps predictably, John Carter says "John Carter" is pretty good.

That would be John Carter, the GOP U.S. House member from Round Rock, commenting on "John Carter," the sci-fi movie from Disney. We should heed movie reviews by people with the same name as the movie.

"John Carter" opened last weekend to reviews skewing toward bad and worse. But Americans, starved for entertainment since football season ended, spent $31 million on the movie during its opening weekend. The epic film cost about $250 million to make, making the $31 million opening an epic failure.

John Carter, because congressmen are special, spent nothing to see "John Carter," which is about a different John Carter, at a screening last week at the Washington office of the Motion Picture Academy of America.

Some of you may not be aware there is a movie named "John Carter." It's about an ex-Confederate soldier who strikes gold in Arizona before being transported to Mars where he gets involved in battles with aliens.

No, really, it is.

Some of you may not be aware of the local congressman named John Carter. He was a judge before being transported to Washington, where he's involved in battles involving aliens.

No, really, he is.

"John Carter" is based on a character created in 1912 by Edgar Rice Burroughs, the Tarzan guy. The character is sometimes known as John Carter of Mars.

As a youth, John Carter of Round Rock (nee John Carter of Houston) was a Burroughs fan, but he was more tuned in to Tarzan than the homonymous character.

"I wasn't into space travel at the time," he told me.

John Carter is taking some grief as a result of "John Carter," especially because of the title role performance by Taylor Kitsch of "Friday Night Lights" fame that inspired this from one reviewer: "Picture sand-encrusted pecs and sweat-drenched biceps and you get the picture."

"I'm not in that good a shape any more, and stuff like that," John Carter, 70, told me, relaying the kind of jabs he's heard.

John Carter's review of "John Carter": "If you like action-adventure space characters like in ‘Star Wars' — and I still love those fantasies — I'd give it a good rating. I know some people are panning it, but I thought it was pretty good. It kept my attention. We got to watch it in 3-D, and it's a pretty good movie."

Fine, but what's it going to do for John Carter's political career?

"Politics is all about name ID and money, my friend," he told me. "I'll take some ribbing for it because I don't look like John Carter, but it's great to have your name out in the public. It's great to have free publicity."

Yes, there is something to be said for having your name thrown around, as John Carter's is in "John Carter." There's this from a trailer: "Fate has brought you here, John Carter. ... You may be the only one who can save us." And in the movie, somebody (or something) proclaims, "John Carter fights for us!" (Never mind that "us" is big green creatures with four arms and two facial horns.)

On the downside of the free publicity equation is the use of the congressman's name in film reviews. And herein I shall use the Tinseltown tradition of selective quoting from reviews:

CNN: "John Carter ... seems mildly perplexed."

Austin American-Statesman: "John Carter might be living in some other world. ... And Carter is bewildered."

Los Angeles Times: "John Carter flops!"

Variety: "John Carter ... turgid, visually unappealing."

Detroit Free Press: "John Carter is bloated."

I guess when you have a name as common as John Carter, stuff like this is going to happen. Other John Carters who are not John Carter of Round Rock or John Carter of sand-encrusted pecs include John Carter who was the New Vaudeville Band's lead singer (extra points if you're now humming "Winchester Cathedral"). That John Carter co-wrote "Little Bit O' Soul," the 1967 one hit of one-hit wonder band the Music Explosion. Great song.

More John Carter trivia: It was Charlton Heston's name at birth.

I saw "John Carter" the day after I talked to Rep. John Carter. I found it confusing — but remember, I found "Toy Story 2" confusing — and annoyingly loud.

Prior to my viewing of the movie, I asked Republican John Carter if the ugly four-armed green guys in "John Carter" represent Democrats. (Spoiler alert.)

"No," he said, "they turn out to be the good guys."


Source:  http://www.statesman.com/news/local/john-carter-on-john-carter-2235959.html

Film School Online | "Tech Universe: Wednesday 14 March"


By:  Miraz Jordan
Source: http://www.nzherald.co.nz
Category: Film School Online

TIGHT NEUTRONS: Researchers at the University of New South Wales reckon they can make a clock that's accurate to within 1/20th of a second. If that doesn't sound very special, consider that it may gain or lose that 20th of a second over 14 billion years — the age of the universe. Atomic clocks currently use electrons orbiting an atom as the clock pendulum. But electrons are loosely bound and can be affected by external perturbations. The researchers believe they can turn the much more tightly held orbiting neutron of an atomic nucleus into the clock pendulum. They could achieve this by using lasers to orient the electrons in a very specific way. It's impossible to imagine that degree of accuracy. More info at the University of New South Wales.

DISAPPEARING WORDS: Recycling paper usually means sending it off to some distant processing plant. Toshiba's new copier system can erase text printed using a special toner from regular copy paper. The toner can only be used with compatible copiers, but when heated it becomes invisible, allowing the paper to be used again. The eraser device can also scan and store an image of the sheet of paper, so the data can be saved. Toshiba aim to release the system commercially this year. Why
don't we just stop printing all this stuff anyway? DigInfo news has more, and there's video here.



CAMO CAMERA: The trouble with trying to film lions is getting close enough. The BeetleCam Project solved it nicely with a small remote controlled buggy with a DSLR camera mounted on top and an armoured shell. Camouflaged to resemble perhaps a rock, the buggy could get right up to the lions and take still photos and video. The BeetleCam even managed to survive being carried off by a playful lion. Stunning photos! More on Beetlecam here, and video here.

FILMING DOWN UNDER: Film maker James Cameron is going down — to the bottom of the deepest part of the ocean, the Challenger Deep, where he will stay on the seafloor for around six hours. The lowest point is almost 11 Km below the surface of the ocean. The deep-sea submersible, Deepsea Challenger, has to cope with crushing pressure, freezing temperatures and total dark. The 7.3 metre long sub is vertical, rather than horizontal, and made of a highly sophisticated syntactic foam developed specifically to withstand the pressure. Thrusters will enable some movement, and a robotic arm will collect samples. The expedition is planned to take place within the next few weeks. That would have to be the most unusual film set ever. Check out the DeepSeaChallenge site.

LESS IS MORE: Researchers at MIT recently managed to get more light out of an LED than the energy they put in. It turns out that an LED's efficiency increases as its output power decreases. So when they put in only 25% as much power the light was reduced by 50%. The researchers reduced the LED's input power to just 30 picowatts and measured an output of 69 picowatts of light. Now I want my wallet to work like that. Details at PhysOrg.

Source:  http://www.nzherald.co.nz/technology/news/article.cfm?c_id=5&objectid=10791927

Film School Online | "Sound replaces tech fury, but long lines echo as common gripe"


By:  Nicole Villalpando
Source: http://www.austin360.com
Category: Film School Online

Tuesday marked the official changeover from South by Southwest Interactive to South by Southwest Music.

In the morning, Interactive attendees were hearing celebrity chef Anthony Bourdain, Pintrest co-founder Ben Silbermann and Stratfor CEO George Friedman. At night, the music scene took over clubs across downtown and East Austin. SXSW Film handed out awards at the Austin Convention Center, and Interactive handed them out at the Hilton Austin.

Tuesday didn't feel like the first day of SXSW Music, however, as music increasingly has become part of Interactive, with Monday's Jay-Z concert at ACL Live providing one of the crowning moments for Interactive.

The conference, which attracted big money and big names like Leonardo DiCaprio and Al Gore, had another big year of growth, though its rate of attendance growth slowed a bit from the 30 to 40 percent of recent years.

On Tuesday evening, the festival said its official paid attendance count for 2012 was 24,569, up from 19,364 in 2011, an increase of about 27 percent. That number includes people who paid to attend Interactive, as well as Gold and Platinum badgeholders, who also have access to other parts of SXSW.

The continued growth in fest attendance has been a concern because of the shortage of hotel rooms downtown able to accommodate attendees and the requirements of putting on a downtown show with more than 1,000 panels and hundreds of parties and meet-ups.

This year, Interactive, which began Friday, had to deal with rain and cold weather on Friday and Saturday that forced many attendees indoors, leading to more crowded conditions and perhaps longer-than-usual badge lines when Interactive began.

Lines are a rite of SXSW Music, and they started in force on Tuesday. People lined up at 11 a.m. for the noon start of wristband redemption at the Fader Fort, which has gone official after nine years as one of the most popular side parties during the fest. Performances there begin with Santigold, Danny Brown and Oberhofer among the acts scheduled.

Other music fans talked of waiting an hour and half in line at the Pure Volume House at Second and Trinity streets. A few blocks away at Fifth and Trinity, the Hype Hotel seemed to be living up to its name with equally long waits. The DMX party featuring Pandora at Clive Bar also had long lines.


Source:  http://www.austin360.com/music/sxsw-music/sound-replaces-tech-fury-but-long-lines-echo-2236184.html

Film School Online | "Atlas launches new CW technology platform in film slitting & rewinding at Chinaplas 2012"


By: packagingeurope
Source: http://www.packagingeurope.com
Category: Film School Online

The new CW technology platform introduces the next generation of more compact film slitting solutions from Atlas in web widths from 2.5 to 10.4 metres (98 – 410 ins.) and delivers higher efficiency, increased productivity and reliability, higher quality rewind reels, reduced noise levels and more effective, operator-friendly control systems.

This latest Atlas technology also features wireless rewind arm positioning, automatic knife positioning, direct drive web path rollers and running speeds of up to 1,500 m/min. (4,920 ft./min.) with more precise web tension control. Electrical cabinets are now fully integrated in to the machine to reduce the space required for installation with ‘under floor’ service trenches also no longer required.
Atlas Converting Equipment Ltd. is one of the world’s largest manufacturers of primary and secondary slitter rewinders for plastic films, labelstock, laminates and other flexible materials. The company has installed more than 1,000 machines worldwide and over 250 film slitters exceeding 6 metres (236 ins) in width. Atlas can also provide fully automated and integrated roll handling systems to meet specific production requirements.
Atlas also manufactures the TITAN range of secondary slitter rewinders for flexible packaging materials, plastic film, labelstock, laminates & paper and fully automated, integrated roll handling systems. Titan now has more than 2,500 installations in over 80 countries.
The next generation of Titan SR9 Series modular slitter rewinders was launched at the end of last year with the new Titan SR9-DT (Dual Turret) rewinder providing unsurpassed levels of slitting productivity, design modularity and rewind reel quality. New features include reduced power consumption and enhancements in sustainability showing respect for the environment. Advanced engineering design has led to significant improvements in quality of slit reels, reduction of set-up time and increased productivity. The Linear Tracking Slitter (LTS) section ensures the shortest and a constant web length between the knives and the rewind shafts for improved web control, giving the highest possible side wall quality of rewind reels at speeds of up to 1,000 m/min (3,300 ft./min.). With the unique Turret Rewind® design providing an automatic cutting and taping of the web tails, the Titan SR9-DT is set to smash all productivity records.
Atlas & Titan provide comprehensive service & support through a global network of customer service & support operations. For China, these operations are co-ordinated through the Atlas owned subsidiary A.C.E. (Shanghai) Trading Co. Ltd. in Shanghai which was incorporated in 2011.
More info:www.atlasconverting.com

Source:  http://www.packagingeurope.com/Packaging-Europe-Articles/518/Atlas-launches-new-CW-technology-platform-in-film-slitting--rewinding-at-Chinaplas-2012.html

Film School Online | "Ireland's Interactive Technology Founders to Shine at SXSW 2012"


By: RnM Team
Source: http://www.radioandmusic.com
Category: Film School Online

MUMBAI: Starting today, representatives from 30 Irish companies will converge in Austin to participate in South by Southwest (SXSW), the world's premier film, music and interactive conference. Here, where technology intersects with the arts, legions of thinkers, inventors and musicians spark discussions, catalyze ideas and forge connections. Like Twitter, Foursquare and others, many have used the venue to launch technologies that transform how we work and socialize.

With the Irish delegation is Ireland's Minister for Innovation, Mr. Sean Sherlock. The delegation is supported by Enterprise Ireland (EI), the government agency responsible for the growth and development of Irish companies in international markets. EI is joined at the conference again this year by IDA Ireland and the Irish Film Board.

Speaking at the event, Minister Sherlock said, "SXSW is synonymous with uncovering 'the next best thing' so it's an excellent venue to showcase Ireland's technology and creative flair. Today's Irish entrepreneurs are reaching into our strong cultural traditions to build inventive, socially relevant, useful and entertaining digital media products. Highly driven and competitive, they've shaped a start-up culture that's made Ireland a magnet for the digital media luminaries that converge at popular annual gatherings like F.ounders and the Dublin Web Summit. In Austin this week, I'm looking forward to engaging, sharing ideas and joining the inspiring conversations."

Minister Sherlock will attend the conference and participate in an early St. Patrick's Day event on Saturday for delegates and their guests. Collectively, the Irish will stage their presence at booth #1307 in Exhibit Hall 4.

Ireland's web, gaming, digital media and film ingenuity will shine in myriad ways throughout the event. For Storyful which uses social networks to create an authentic and socially useful journalism, SXSW is the latest stop on its US market roll-out campaign. This week the company named Erica Berger as head of its new Americas operation. Berger previously reported for The Economist from her NYC base. At Storyful, she will manage relationships with publications like the New York Times and The Economist, and tech companies like Google and YouTube. Also this week, the new Storyful Direct app landed in Apple's App store. The app helps citizens connect their content with news organizations.

Other Irish standouts at the show include:

Relevenz which will launch its plan-sharing social app for the Android smart phone.

VendorShop, a provider of Facebook shopping cart solutions recently scored a seed round which it will use


Source:  http://www.radioandmusic.com/content/editorial/news-releases/irelands-interactive-technology-founders-shine-sxsw-2012

Film School Online | "New Film Takes An Intimate Look At School Bullying"


By: http://www.npr.org
Source: http://www.npr.org
Category: Film School Online

Robert Siegel talks with Director Lee Hirsch about his new documentary Bully. The film follow several middle and high school students who are victims of bullying. Recently, the Motion Picture Association of America gave Bully an R-rating for its language content. Almost 300,000 people so far have signed an online petition asking the MPAA to change the rating to a PG-13. Hirsch talks about the ratings controversy and the film.

Source:  http://www.npr.org/2012/03/13/148540633/new-film-takes-an-intimate-look-at-school-bullying

Tuesday, March 13, 2012

Film School Online | "Utah unmasks film incentives; industry to boost economy"


By : Nancy Van Valkenburg
Source : http://www.standard.net
Category : Film School Online

SALT LAKE CITY — The Governor’s Office of Economic Development has approved incentives for eight more films that plan to shoot in Utah.

That’s the largest number of films approved at once, although only one of the movies is a big-budget film poised to be a blockbuster.

The big film is “The Lone Ranger,” starring Armie Hammer in the title role and Johnny Depp as Tonto, with Jerry Bruckheimer as producer. The Disney film has been shooting at various locations around the Southwest and moves its production to Moab in July.

The seven other films are independent productions with smaller budgets, and all plan to shoot in Northern Utah, said Marshall Moore, Utah Film Commission executive director.

“It’s the most film incentive applications to be approved at once since the beginning of the program, in 2004, in terms of quantity,” Moore said. “There have been other meetings with more dollars involved.”

The Motion Picture Incentive Program offers film companies up to 25 percent of the dollars left in the state in the form of a post-performance tax credit or cash rebate.

Since the MPIP was created, 95 film projects have received funding, creating more than 5,000 production jobs and 2,000 production days. The projects are responsible for leaving nearly $178 million in the state.

“We have a wide variety of projects, with the BBC, independent Utah-based production companies and companies outside the state,” Moore said.

“We have a variety of projects with different budgets, which is how our program has to operate. If one studio came in here and shot its whole film, it would shoot our whole budget.”

The eight films approved for incentives last week are:

• “The Lone Ranger,” based on the classic Western adventure. It is estimated to prepare and shoot in Utah for 27 days and spend about $9.1 million.

• “White Grizzly,” about a man-eating grizzly/polar bear hybrid strategically hunting down humans in a small Alaskan town. Length of preparation and production is 35 days. The film is expected to spend $3.5 million in Utah.

• “3 Days in Vegas,” a comedy about an ex-boyfriend and girlfriend forced together to collect $10 million in Las Vegas lotto winnings. They don’t trust each other or the various Mafia members trying to steal the tickets. The production is 22 days and estimated to spend $2 million in Utah.

• Untitled docudrama, by BBC Worldwide Reality Productions. The production will be about 33 days long, and makers expect to spend about $980,000 in Utah.

• “Forks in the Road,” the story of two pioneer men from the Martin Handcart Company who face enormous challenges. The production will be about 22 days and will spend about $646,420 in Utah.

• “Nightlight,” a thriller about teens who play a seemingly innocent game in the woods and find themselves fighting supernatural foes. The production will be about 25 days and expects to spend about $700,000 in Utah.

• “Back Door to Heaven,” about a little girl who finds access to heaven and uses it to help people, but at a cost. The length of film production is 18 days, and the company expects to spend about $450,000 in the state.

• “K-9 Christmas,” about a police dog who is injured during a bank robbery and separated from his owner, then found by a girl whose father is closer to the bank robbers than she knows. The production will be about 22 days and expects to spend about $350,000 in Utah.

Source : http://www.standard.net/stories/2012/03/12/utah-unmasks-film-incentives-industry-boost-economy

Film School Online | "Perfectionist of film music _ Sajjad Hussain (Part 1)"


By : Satish Chopra
Source : http://www.dailytimes.com.pk
Category : Film School Online

Hindi film panorama after the commencement of talking era, witnessed a variety of personalities attached to different faculties of production; may it be acting, direction, photography, editing, dialogue writing, music composing and or singing.

Amongst a large number of the music composers, we had some rarest of the rare glittering gems, who not only fashioned some captivating melodies, but also shaped the destiny of a large number of singers. This was in view of the fact that these maestro music composers had a profound understanding of lyrics, instrumentation, classical music base, the voice quality of the respective singer and insight of the eminence of recording. This was perhaps one of the foremost reasons that music and musicians of first three decades (1931-60) ie after the beginning of film recording are considered as all time greats.

One amongst such composers was Sajjad Hussain, who was known for his contentious personality, but he created some immortal melodies, which were altogether different from all others. But, with the passage of time, he has been completely forgotten.

Sajjad Hussain was a master of a number of musical instruments; be it a violin, Veena, Jaltarang, flute, piano, banjo, accordion, Hawaiin and Spanish guitar, sitar, clarinet, harp and Mandolin. He could even play Mandolin with perfection even for classical ragas.

In the All India Music Conference held at Kolkata in the year 1956; where greats of classical music such as Vinayak Rao Patvardhan, Ali Akbar Khan, Allaudin Khan, Bade Ghulam Ali Khan, Ahmed Jaan Thirakwa and Nikhil Banerjee were present; Sajjad Husain played classical ragas 'Shivranjani' and 'Harikauns' on Mandolin. The listeners including the maestros were spell bound at his classical playing of Mandolin, which is considered a completely un-traditional musical instrument.

Sajjad Husain as music director fashioned some immortal melodies in the voices of Noorjehan, Rattanbai, Nirmala Devi (mother of actor Govinda), Lata Mangeshkar, Suraiya, Geeta Roy, Asha Bhonsle, Mohd Rafi, Talat Mahmood, Surender and others.

A few lines about the career-graph of the maestro. Sajjad was born at Sitamau (Central Province now Madhya Pradesh) on June 15, 1917. His father Mohd Amir Khan, used to play sitar. But, Sajjad could not confine his learning to sitar only. He additionally learnt playing Veena, Jaltarang, Accordian, violin, Spanish and Hawaiin guitar, flute, piano, banjo and harp. Thereby he could brilliantly deploy these instruments for the background music effects and also created some enthralling sound effects.

He came to Bombay in the year 1940 and was introduced to Mir Allahbuksh (father of Meena Kumari) who was a composer and associated with Minerva Movietone. Mir was very much impressed with Sajjad's mandolin playing, as a result he took him as his assistant.

Later on, he joined Pt Hanuman Prasad, another composer and assisted him for the music of film 'Gaali' (1944). In this film, Sajjad composed two songs of Nirmala Devi -'Aag lagey saawan mein' and 'Ab aa jaa dil na lagey'.

Sajjad Husain got his major break in the year 1944 for the film 'Dost' starring Noorjehan and Motilal. Noorjehan sang some memorable songs - 'Badnaam muhabbat kaun karey', 'Ab kaun hei mera', and 'Koyee prem ka de key sandesa'. The film until date is remembered amongst the ardent music lovers of Indian sub-continent because of such musical super-hits.

If you have listened to these captivating melodies, you must have observed the beauty of delivery of the word 'Badnaam' and a charismatic pause thereafter. Besides her expression of thought and an extra-ordinary quality of sur, it was rated as a classic! Then, the pain of parting and sorrow transformed in other numbers - 'Ab kaun hei mera' and 'Koyee prem ka de key sandesha'. The songs provided an incredible impact on the listeners.

Shaukat Hussain Rizvi, the paramour and later on the husband of Noorjehan, who produced the film 'Dost', after viewing its grand success observed that entire credit for the success of these songs goes to Noorjehan, who sang such fabulous melodies.

Sajjad could not digest such remarks and vowed not to compose a song for Noorjehan for her future films. As a result, for her next film 'Jugnu', the music was composed by Firoze Nizami. Noorjehan respected Sajjad Husain the most. According to her, Sajjad Husain was the greatest composer amongst all. "He was a man of high self-esteem. Shaukat was rude to him and Sajjad warned him in that insulting tone. Shyam Sunder and Naushad are also great but nobody can ever reach the level of Sajjad Hussain," she is reported to have said.

Down memory lane, in his subsequent films, Sajjad composed a number of fabulous melodies viz 'Bhool ja aye dil muhabbat ka fasana, kisi se dil lagana' - Lata Mangeshkar and 'Saajna din baahure hamare' - Geeta Roy -film 'Khel' (1950) and 'Aaj mere naseeb ne mujhko rula, rula diya' - Lata Mangeshkar - film 'Hulchu' (1951) which bears the complete signatures of Sajjad.

In film 'Saiyyan' (1951) Sajjad composed seven amazing melodies and each one was different from the other. In particular, the singer Lata and the composer were totally different in -'Kismat mein mein khusi ka naam nahin ey gum ke savere tu hi bata' and 'Kaali kaali raat re, dil bara satay teri yaad aye'. Sajjad Hussain was certainly at his best in 'Sangdil' (1952). Each of its eight melodies was a glittering gem!

Source : http://www.dailytimes.com.pk/default.asp?page=2012%5C03%5C13%5Cstory_13-3-2012_pg9_6

Film School Online | "'21 Jump Street' leaps in new direction"


By : Click2houston
Source : http://www.click2houston.com
Category : Film Schools Online

Tim Lammers, StrictlyCinema.com -
If there's one distinct difference between the 1987 television series "21 Jump Street" and its new big-screen adaptation, it no doubt comes in the colorful dialogue. Based on a story by screenwriter Michael Bacall and star Jonah Hill, the script, penned by Bacall, is loaded with so many F-bombs and crude anatomical references that even the most seasoned of R film moviegoers will likely blush.

Like the original series' star, Johnny Depp (who appears in the film in a memorable cameo), you could easily say that the film version of "21 Jump Street" is all grown up.

"It's was very liberating to write that way," Bacall told me, laughing, in a recent interview. "It was nice to take the parking brake off in regards to language and go nuts. Plus, when you're working with a guy like Jonah, who is known for that to a certain level, it was very enjoyable." Despite crossing the line into hard R territory, Bacall, a veteran actor who also co-wrote the recent hit "Project X," said he has just as much fun penning PG-13 scripts, like he did with director Edgar Wright on the 2010 comedy "Scott Pilgrim vs. the World."

"It was enjoyable in a different way. We creatively came up with different ways for young people to express themselves that didn't cross the ratings board," Bacall said. "We had a lot of fun with that."

Opening in theaters nationwide on Friday, "21 Jump Street" stars Hill and Channing Tatum as Schmidt and Jenko, respectively, a pair of high school adversaries who oddly developed a strong bond as classmates at the police academy. Pining for some action after graduation, the underachieving duo -- under the hard-line direction of Captain Dickson (Ice Cube) -- lands an undercover assignment at a high school where a synthetic drug has taken hold of the students.

Charged with finding the dealer and the source of the drug, the buddies quickly discover that the climate of high school has dramatically changed since their days: the jock Jenko is an outsider, while Schmidt, once the geek, is now cool. Thanks to his new-found status, Schmidt gains the confidence to win the affection of school hottie Molly (Brie Larson), who in the process, unknowingly helps the new "kid" in school infiltrate the drug ring.

Larson, who previously starred in "Scott Pilgrim" and became friends with Bacall during the making of the film, said re-teaming with him again on "21 Jump Street" was a must.

"I had heard about him writing the script through conversations with other people and was so interested to read it," Larson told me in a separate interview. "Once I did, I thought there was a part I could possibly play and I was so thrilled. I honestly thought it was one of the best scripts I'd ever read. I was so excited for this to happen and bring his words to life because he's a genius."

While the script pokes fun at the climate of high school life today, Bacall said in reality, what you see in "21 Jump Street" isn't that far from the truth.

"I think there's a slow, cultural shift occurring towards social consciousness and smart kids being cool, and it was fun to comment on that," Bacall observed. "I found it in my research when I went back to my old high school to listen to the kids, and talk to the teachers and even the school nurse, and our directors Phil (Lord) and Chris (Miller) did the same time. Sometimes we took a broad, comedic approach, but it still echoes the vibe we found on campus. Things have definitely changed."

While Larson, 21, was home-schooled, she said she sensed enough of high school through her sister attending that the filmmakers nailed the tone.

"It is very progressive now, and a lot of it has to do with the Internet," Larson said. "Our generation is very self-aware."

The Depp Factor
Bacall said the film version of "21 Jump Street" wouldn't have been complete with the appearance of Depp as his character in the show, Tom Hanson. And while it's long been widely-publicized that Depp appears in the film in a cameo, the nature of it -- which comes in one of the film's most pivotal scenes -- won't be revealed here.

Bacall said he was thrilled that Depp had as much input as he did into his appearance in the film, much less agreeing to be in it at all.

"We knew that we wanted to approach Johnny to see if he'd be interested, and that's one of the areas where Jonah was a great contributor as a producer on the project. He reached out to him to make that cameo happen," Bacall recalled. "We wrote a couple different versions of the cameo not knowing if it would actually pan out, and when we heard that he was interested, it was his idea for the cameo to occur like it did. We were very excited about his input and went to town on coming up with the most insane version of his scene that we could think of."

While Larson is technically in the same scene as Depp, she didn't have any interaction the film star -- but a chance meeting off-set more than made up for things, she said.

"It was a big day, shooting that scene that he was in," Larson recalled. "But before it was over, I was told that I was wrapped since my character was off screen and it didn't matter. I was so bummed and remember thinking, 'Oh, so much for working with Johnny Depp.'"

But when Larson went to have her hair taken down at the make-up trailer a little later, she accidentally opened a wrong door.

"Johnny had an identical hair and make-up trailer that was right next to ours, and I opened his door instead," Larson said. "As I looked in and panicked and said, 'I'm sorry,' he said, 'Oh, no, no, no. Come here, come here.' He said, 'I was just talking about you, how Brie is my favorite cheese.' Then we listened to the Avett Brothers and talked for about 15 minutes while he was getting his makeup taken off. It was such a cool experience."

Distributed by Internet Broadcasting. This material may not be published, broadcast, rewritten or redistributed.

Source : http://www.click2houston.com/entertainment/-21-Jump-Street-leaps-in-new-direction/-/1735500/9281262/-/t59w7t/-/

Film School Online | "University of Southern Mississippi has had a film school for more than 35 years"


By : The Republic
Source : http://www.therepublic.com
Category : Film Schools Online

LONG BEACH, Miss. — The University of Southern Mississippi has had a film school for more than 35 years. It's the only four-year program of its kind in the state, and it's located in Long Beach.

The Sun Herald reports (http://bit.ly/w8O1iZ ) students learn to write scripts and shoot, edit and produce a film. They also learn the academic skills of film history and criticism. And they get a taste of what it's like to be in the industry.

Dixon McDowell, who heads it with one other professor, says they have 50 students enrolled at a time.

Dixon McDowell, who heads it with one other professor, says they have 50 students enrolled at a time.

The program has been producing 10 to 15 graduates a year for decades and they have come to populate the film industry in Mississippi at a time when the state has recognized the potential of that lucrative industry.

___

Information from: The Sun Herald, http://www.sunherald.com

Source : http://www.therepublic.com/view/story/5b7b57542ca84bafac49ea842189b0e7/MS--USM-Film/

Film School Online | "Film school looking forward to fall opening"


By : Lesley Allan
Source : http://www.draytonvalleywesternreview.com
Category : Film School Online

The dream of bringing a film school to Drayton Valley is coming true for local resident Michael Rye, who has been working on the project for more than two years and plans on opening the doors in September of 2012.

With major sponsors in place, as well as production and film equipment already ordered, the only thing left to bring the Drayton Valley Film School (DVFS) into completion is a place to call home. Currently Rye is hoping the school might find a home at the Eleanor Pickup Arts Centre (EPAC) as a possible venue .

“I don’t think this community could build an arts community if they don’t come together. It’s hard enough to get anything started in any town, but when you have a lot of groups doing their own thing, and not wanting to come together, then nobody really takes you seriously,” says Rye. “This way if we partner with EPAC we will be financially helping them out and then it [would give] us a building that we could call home, that is an old theatre, so it’s a tasteful place to hold the school. “

Rye is already heavily involved with several local high school students who are working with him on projects already in production, many of whom are already interested in attending the school once they graduate. With the goal of having between five and 10 students each semester, Rye also plans to visit Drayton Valley and area high schools to talk to seniors about the program.

“We’re hoping to get a list of about 20 schools that we can go visit because handing out pamphlets doesn’t work because they just get thrown out, but if you can actually go there and set up the equipment and show them what they’re going to learn on and get them excited about it then we can hopefully grow a lot bigger.”

Modelling the course after film schools in the United States and Vancouver, much of the course will focus on giving students the opportunity to produce films- from creating concepts to directing, shooting and editing- everything will be in the hands of the students. As far as in class work goes, Rye says creativity can’t be taught, so all they can teach students is the basics and the rest is up to them.

“The course is really hands on so a lot of the work they’ll do will be actually shooting, which will be done in the community,” he explains. “There are lots of places that are partnering with us to give us meeting rooms when we need it, but the classroom stuff is about three hours a day Monday to Friday.”

With experience teaching through Drayton Valley’s Life Church Rye had an idea of what was needed for the school, but looked to existing film schools to assist with the design of the course.

“It’s more like the New York Film Academy where you go in and it’s very intense where they compact two years of study into twelve months. So I used them as a model and then I have a lot of friends in the film industry so I brought a lot of professionals in and went through and said “Here’s some of the stuff, what else should I be teaching and how should it be set up?” explains Rye as to how he developed the course. “So I had a sound engineer, a director, a producer, I’m a cinematographer by trade, so that one was easy to set up. So I took all of their information and then broke it down into the basics we’re going to teach and the hands on stuff they’re going to do themselves.”

Rye says students interested in taking this course need to be creative, independently motivated and determined to make a career for themselves within the film industry. If this sounds like you, and you’d like more information about the course you can contact Rye at (780) 898-1391.

Source : http://www.draytonvalleywesternreview.com/ArticleDisplay.aspx?e=3498488

Monday, March 12, 2012

Film School Online | "Ajay Devgn may produce south film remake"

By: Mid-Day.Com
Source: http://movies.ndtv.com
Category: Film School Online

Ajay Devgn has been approached to man the stuck Bollywood remake of a Malayalam flick that has been waiting to take off and the makers are keen the actor-producer give it a fresh lease of life.

Devgn, who is shooting in Punjab, had the producers approach him with the offer recently. The makers of the movie have been associated with several television reality shows and this is their first step into filmmaking. The star has been offered a role in the film of a top cop as well as an offer to co-produce the project.

On the sets

Says a source, "The names associated with the film travelled to Patiala, where Ajay was shooting to discuss their plans. Their presence created a buzz on the sets and soon there was talk that the actor might lend his name to the movie."

Adds the source, "The film was to begin shooting last year but there were some issues which made the project go in a limbo. Though the makers announced the cast and their plans, things did not roll as per their plans."

The Malayalam version of Traffic, which released last year, was a top grosser. The film is a thriller inspired from a true-to-life event that happened in Chennai. Several film production companies were in the running to acquire the Hindi remake rights of the project.

Source: http://movies.ndtv.com/movie_story.aspx?Section=Movies&ID=ENTEN20120196494&subcatg=MOVIESINDIA&keyword=bollywood&nid=185022

Film School Online | "Looking the dragon in the eye"

By: Isha Mukoo
Source: http://postnoon.com
Category: Film School Online


At last China seems to have altered their outlook towards Hollywood. Although American films were being screened in China for several years, it was Avatar which opened the floodgates. Couple of months ago, Barack Obama wrote a letter to China’s President Hu Jintao suggesting that China should allow more Hollywood films to be screened across China and the Chinese authorities promptly obliged to his request. With Hollywood hitting the bull’s eye and getting a broader access to one of the fastest growing movie markets in the world, China has also increased the number of theatres as well. While this movie trade takes place between the two thriving cine markets, we wonder what Bollywood has to say about this.

Trade analyst Taran Adarsh feels Bollywood can surely make its mark in China if they are introduced to our movies. “China is huge market and I feel India should present its movies to the Chinese government. It’s a totally unexplored market but once the market is open to us, we can surely dub the movies and run it there. Considering how big a market it has got, we will be able to generate a lot of revenue. Right now the only hindrance is that Chinese have not been introduced to our movies except a few like Lagaan, 3 Idiots and some more,” he shares.

Bollywood has been a known entity in the global film market for quite some time now. From Dilwale Dulhaniya Le Jayenge to 3 Idiots, it has never failed to keep the international audience glued to its favourite stars or the movies. While US, UK and many other countries have been loyalists to Bollywood market, China follows strict guidelines regarding the showcasing of foreign films. In that too, India gets only four slots a year.

Producer Ramesh Taurani feels the popularity of the Indi­an film industry also depends on the number of Indians living in that country. “It depends on the number of Indians living in China. For instance, Hong Kong also has lot of Indians living there but there has never been an extensive release of our movies there. Having said that, with the growing popularity of our industry in unexplored markets, it will soon become a big market for Indian films,” he says optimistically.

Though Bollywood might not have a very huge fan following across the globe, with Slumdog Millionaire winning at the Oscars, the Hindi film industry now is a name to reckon with.

Sriram Raghavan, director of soon to be released Agent Vinod feels China is a potential market for Indian movies. “We saw how 3 Idiots did a fabulous job in China when it was released there. China definitely is a big market. In fact, they have been watching our movies for a long time as there is a certain vibrancy about our movies. It will be an, add-on to our presence in the global market and also in terms of revenue,” he says.

So, if going by the looks of it soon Bollywood tunes will be playing all over China. It’s just a matter of time.

Source: http://postnoon.com/2012/03/11/looking-the-dragon-in-the-eye/36422

Film School Online | "Crowd-financing plays starring role in films at Austin's South By Southwest"

By: JAKE COYLE
Source: http://www.chicagotribune.com
Category: Film School Online

AUSTIN, Texas (AP) — The film "Girl Walk // All Day" opens on a blonde girl joyfully dancing past unimpressed New Yorkers on the Staten Island Ferry.Moving to the remixed beats of the DJ known as Girl Talk, she and other dancers breeze through New York's urban spaces — Central Park, the financial district, Yankee Stadium — turning the city into a playground.Just as "Girl Walk // All Day" transforms familiar landscapes, the source of much of its funding — the crowd-financing website Kickstarter.com — has electrified the traditional structures of filmmaking. "Girl Walk // All Day," a dance-music film not easily categorized, was enabled by Kickstarter. After creating an eight-minute Internet video, the movie's director, Jacob Krupnick, put in a request to Kickstarter's community for various levels of investment from interested fans.With options like $50 for an associate producer credit and $500 for a dance lesson, he hoped to raise $5,000.He got nearly five times that."Kickstarter came at a really opportune moment in my life when I needed it," says Krupnick, a filmmaker and photographer. For the last month, he's been touring the film at different venues around the country, where screenings often turn into dance parties.It's one of 33 Kickstarter-aided films at the South By Southwest Film Festival. That's a full 10 percent of the festival's entire slate, an eye-opening total that shows what a significant role the nearly three-year-old Kickstarter is playing in financing indie films. Even SXSW Film head Janet Pierson was surprised when she heard the number."I'm fascinated that this is a viable tool, or seems to be," says Pierson, who produced indie films in the '80s and '90s. "How great that this vehicle exists that's working for all these filmmakers. I didn't know that it would be so viable."Certainly, the budgets for even small films often get into hundreds of thousands or millions of dollars. Typically, Kickstarter funds makes up a portion of a film's budget. And most of the Kickstarter films still struggle to find theatrical distribution and promotion.But it's undoubtedly emerged as a realistic option to help get a film made. In making a movie, every little bit helps."It's gone from being possibly a novelty, a different way of doing things, to becoming much more of a tool, much more of a standard thing that people think about," says Kickstarter co-founder Yancey Strickler. "It's giving audiences the power instead of executives."Kickstarter, the leader among crowd funding companies, has funded 19,000 projects in its three years. It funds a variety of things, including music albums, tech products and art projects.Projects are only funded if they reach their target amount. Kickstarter doesn't have any piece of ownership in the finished product, but they take 5 percent from successful funding. (Amazon Payments, which facilitates the financial transactions, also takes about 3-5 percent.)Still, movies have been its biggest success. Of the first $140 million pledged via Kickstarter, $50 million was for movies. Earlier this year at the Sundance Film Festival, 17 films with Kickstarter backing played. The festival and the site announced a three year program with the artist development nonprofit Sundance Institute.Recently, Kickstarter has, for the first time, repeatedly crossed the $1 million mark in funding a project. Strickler says the last four months have been "particularly nuts.""Kickstarter growing and getting bigger means that more and more projects are having success, more things are able to exist in the world that maybe wouldn't have otherwise," says Strickler. "Those are people's dreams."Sometimes, the final results validate the refusal of other avenues for financing. Often, they reveal perspectives not customarily embraced by film distributors."Gimme the Loot," is about a pair of Bronx graffiti artists. It came to SXSW with days left to reach its funding goal. As of late Sunday, it needed about $1,200 in about a week."Blue Like Jazz," based on a bestselling memoir by Donald Miller, was on the brink of collapse after an investor dropped out shortly before production was scheduled to begin. Director Steve Taylor was soon going to lose his star actor, Marshall Allman ("True Blood"), so the film needed to be shot soon. Taylor asked for $125,000 on Kickstarter with another investor offering to double what was raised."It was far and away, at that point, the biggest goal anyone had set at Kickstarter," says Taylor. "Frankly, it just seemed impossible."The film raised a record $346,000. It will be released this April by Roadside Attractions.Certainly, its success has something to do with its Christian themes. Allman plays a 19-year-old Texan who embarks on college in the Pacific Northwest, where his Christianity sticks out like a sore thumb."Kickstarter proved there was an audience for it," says Taylor, who pledged a personal thank you phone call to anyone who contributed $10 or more.About a month ago, he finally finished the last of some 3,500 calls.___Online:http://www.kickstarter.com/pages/SXSWFilm2012

Source: http://www.chicagotribune.com/news/nationworld/sns-bc-us--sxsw-kickstarter,0,3065749.story